Now the features of general relativity that one typically captures in an “analogue model” are the kinematic features that have to do with how fields (classical or quantum) are defined on curved spacetime, and the sine qua non of any analogue model is the existence of some “effective metric” that captures the notion of the curved spacetimes that arise in general relativity. (At the very least, one might wish to capture the notion of the Minkowski geometry of special relativity.) Indeed, the verbal description above (and its generalizations in other physical frameworks) can be converted into a precise mathematical and physical statement, which ultimately is the reason that analogue models are of physical interest. The analogy works at two levels:
The advantage of geometrical acoustics is that the derivation of the precise mathematical form of the analogy is so simple as to be almost trivial, and that the derivation is extremely general. The disadvantage is that in the geometrical acoustics limit one can deduce only the causal structure of the spacetime, and does not obtain a unique effective metric. The advantage of physical acoustics is that, while the derivation of the analogy holds in a more restricted regime, the analogy can do more for you in that it can now uniquely determine a specific effective metric and accommodate a wave equation for the sound waves.
Living Rev. Relativity 14, (2011), 3
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